Photo © RMN-Grand Palais/Patrice Schmidt“While his work typically has been regarded as a detour from the continuum that saw the history of photography as a series of developments of objective documentation,” Lori Pauli says of Rejlander, “his photographs have important relevance to today’s artists who combine and rearrange images through the use of digital tools instead of glass-plate negatives.” “The First Negative” (1857), by Oscar Gustaf Rejlander.
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